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	<title>lucasbl.at</title>
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	<pubDate>Thu, 11 Jun 2026 19:08:05 +0000</pubDate>
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		<title>projetos</title>
				
		<link>https://lucasbl.at/projetos</link>

		<pubDate>Sat, 04 Jan 2020 17:22:54 +0000</pubDate>

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		<pubDate>Sat, 04 Jan 2020 17:22:23 +0000</pubDate>

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' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l&#38;nbsp;' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l&#38;nbsp;' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l ' ' ' ' &#124; ' ' ' ' l &#38;nbsp;

































Lucas Blat é de São Paulo e atua em espaços e meios.


Usando como recurso a identidade visual, sinalização, expografia, impressos e motion, Lucas Blat desenvolve linguagens visuais e conceitos específicos para cada projeto — em parceria com outros profissionais, empresas e instituições culturais — trazendo soluções claras e objetivas.


Designer e mestre em design gráfico e projetos editoriais pela Faculdade de Belas Artes da Universidade do Porto (Portugal), seu trabalho conta com prêmios e bienais pelo mundo e foram desenvolvidos para clientes como Carambaia, Sesc, Pina_, Google, pro helvetia américa do sul, Museu do Futebol, museu da língua portuguesa, BARRA, 100/cabeças, entre outros.





	exposições e Prêmios

2026entrevista e design de capa para a brain magazine ブレーン, japão
2025 publicado no livro capistas 24-25, editora seiva, são paulo


2024membro do júri no LAD Young Talents 2024
Revista ARQUIBANCADA em destaque na 14ª Bienal Brasileira de Design — ADG Brasil
2023Três projetos selecionados para o Macau Design Award 2023
o diário de um louco prêmio de prata na categoria Design editorial no Latin American Design Awards 2023
2022Lá embaixo prêmio de prata na categoria Design editorial no Latin American Design Awards 2022
Lá embaixo prêmio de bronze na categoria Design editorial no brasil Design Award 2022
2021
46º festival sesc melhores filmes prêmio de ouro na categoria Design gráfico no Latin American Design Awards 2021
46º festival sesc melhores filmes publicado na edição 38 da Slanted, Alemanha
2020Nas profundezas prêmio de prata na categoria Design Editorial no Latin American Design Awards 2019

The same old bad smell prêmio de ouro na&#38;nbsp;Ecuador Poster Bienal 2020, quito, equador2019
The same old bad smell selecionado para o Mut zur Wut 2019, Heidelberg, Alemanha
The same old bad smell selecionado para o Stop Hate, Poznań, Polônia
Nas profundezas na 13ª Bienal Brasileira de Design Gráfico – ADG Brasil
The same old bad smell selecionado para o Posterists in the World, Cuzco, Peru
2018youtube insights 2017 vencedor do IF Design Awards 2018 
2017Coup d'Etat medalha de prata na Bienal del Cartel Bolivia
Cisma Haroldo de Campos na 12ª bienal Brasileira de Design Gráfico – ADG Brasil
Livre Cilindro no 30º Festival “Les Instants Vidéo”, Marseille, França
Avesso: Introspecções Manifestadas prêmio de prata na 11ª Bienal de Design de Macau

2016
exposição coletiva, "2º Ocupação Estúdio Esther", São Paulo
2014
trabalho publicado no livro "Type Plus", unit editions, Inglaterra


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		<title>BRAIN Magazine</title>
				
		<link>https://lucasbl.at/BRAIN-Magazine</link>

		<pubDate>Thu, 11 Jun 2026 19:08:05 +0000</pubDate>

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	entrevista e design de capa para a edição de julho (2026) da BRAIN magazine&#38;nbsp;ブレーン, de tóquio, Japão.
Para o tema desta edição, "The cusp of summer", o objetivo for representar o fim da primavera e o início do verão. Utilizando a linguagem do design editorial, foram explorados ornamentos tipográficos (dingbats) para representar essa mudança de estação. Combinando diferentes famílias tipográficas, são encontradas variadas formas de setas e flores, compostas dentro de um bloco de texto.

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		<title>ARQUIBANCADA</title>
				
		<link>https://lucasbl.at/ARQUIBANCADA</link>

		<pubDate>Tue, 06 Aug 2024 14:26:58 +0000</pubDate>

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		<description>☻ destaque na 14º bienal brasileira de design – ADG Brasil


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	O Museu do Futebol, situado no Estádio do Pacaembu, é uma instituição pública vinculada à Secretaria da Cultura, Economia e Indústria Criativas do Estado de São Paulo. Primeiro museu dedicado ao futebol brasileiro, foi criado em 2008 e, desde então, é gerido pela organização social de cultura IDBrasil, Cultura, Educação e Esporte.


A Revista ARQUIBANCADA pleiteia o espaço que o Museu do Futebol — com suas ações educativas, pesquisas e seminários, exposições e programação cultural — conquistou (e quer ampliar) no campo museal. É uma publicação não acadêmica dedicada aos temas e aos debates do futebol — esporte mais bonito e popular do planeta — e, também, às práticas museológicas de forma diversa e inclusiva. 






	Para a identidade visual e projeto gráfico da revista, foi desenvolvido um sistema tipográfico, exaltando o caráter dialógico da revista e explorando o movimento imprevisível de uma torcida. A partir dessa linguagem visual, foi criada uma variedade de ferramentas para indicar notas, comentários, separar títulos de subtítulos, destacar textos e também ilustrar. 

O objetivo desse projeto gráfico foi trazer a experiência física de se visitar um estádio. A capa, com sua disposição dos textos cortados como um bilhete destacado, faz alusão a um ingresso. A edição Nº 0001, numerada como os assentos na imensidão de um estádio, tem 210 páginas dedicadas ao tema "A nova definição de museu", e conta com textos, artigos e entrevistas de importantes colaboradores.


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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8e9aad83f7dfccc8cb499e2349ab40b8c9e3b0e99aecfe63ac303cdf4cb6bd50/DSC_8071.jpg" data-mid="215926241" border="0"  src="https://freight.cargo.site/w/1000/i/8e9aad83f7dfccc8cb499e2349ab40b8c9e3b0e99aecfe63ac303cdf4cb6bd50/DSC_8071.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/442657f3dca8a4764da880b6da619d5c5256e45cdc633ff27441c8c6a63de7f5/DSC_8075-copy.jpg" data-mid="215926247" border="0"  src="https://freight.cargo.site/w/1000/i/442657f3dca8a4764da880b6da619d5c5256e45cdc633ff27441c8c6a63de7f5/DSC_8075-copy.jpg" /&#62;

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/815b4060dc34fc9f1f75dfa2fce064edc63724dcc2ca590bd716703c3aac6733/DSC_8083-copy.jpg" data-mid="215926260" border="0"  src="https://freight.cargo.site/w/1000/i/815b4060dc34fc9f1f75dfa2fce064edc63724dcc2ca590bd716703c3aac6733/DSC_8083-copy.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d342222efc63eeea1ef3f472ed236d80a8c2f5ad8bcb1406442db26b9baec690/DSC_8075.jpg" data-mid="215926253" border="0"  src="https://freight.cargo.site/w/1000/i/d342222efc63eeea1ef3f472ed236d80a8c2f5ad8bcb1406442db26b9baec690/DSC_8075.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/9e3451510e2154f3528edf462788d96454d217ff2eef8f294b41ae59e6517d93/DSC_8026-copy.jpg" data-mid="215926207" border="0"  src="https://freight.cargo.site/w/1000/i/9e3451510e2154f3528edf462788d96454d217ff2eef8f294b41ae59e6517d93/DSC_8026-copy.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f066221559de5141db4691ca26c98f33cefa2adfe38fa900e5f40f963e90cb63/DSC_8306.jpg" data-mid="215926299" border="0"  src="https://freight.cargo.site/w/1000/i/f066221559de5141db4691ca26c98f33cefa2adfe38fa900e5f40f963e90cb63/DSC_8306.jpg" /&#62;


	direção de arte e projeto gráfico 


Lucas Blat




direção editorial 


Renata Vieira da Motta


Marília Bonas




comitê editorial


Bernardo Gonzalez


Bruno Brulon Soares


Camilo de Mello Vasconcellos


Fiorela Bugatti Isolan


Juliana Pons


Lucas Ribeiro
Marcelo Continelli


Silvana Goellner


Suzy Santos 



	coordenação editorial e produçãoJuliana PonsLuiz Fernando MizukamiMaurício Rafael — In memoriamRenata BeltrãoSimone Hozawa

fotografia na capa Wendell de França Sales



tipografiaNavigo, by CSTM FontsSource Serif Pro, by Frank Grießhammer






&#60;img width="110" height="90" width_o="110" height_o="90" data-src="https://freight.cargo.site/t/original/i/c9589c2d6584caf901d9a9af9fee90a407cd365150bcc9caf27724dc5dd2c590/ARQUIBANCADA_Behance_032-copy.png" data-mid="215928286" border="0" data-scale="7" data-no-zoom data-icon-mode src="https://freight.cargo.site/w/110/i/c9589c2d6584caf901d9a9af9fee90a407cd365150bcc9caf27724dc5dd2c590/ARQUIBANCADA_Behance_032-copy.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>46º Festival Sesc Melhores Filmes</title>
				
		<link>https://lucasbl.at/46-Festival-Sesc-Melhores-Filmes</link>

		<pubDate>Mon, 09 Nov 2020 19:42:59 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/46-Festival-Sesc-Melhores-Filmes</guid>

		<description>☻ prêmio de ouro na categoria Design gráfico no Latin American Design Awards 2021


	Criado em 1974, o Festival Sesc Melhores Filmes é o primeiro festival de cinema da cidade de São Paulo e oferece ao público a oportunidade de ver ou rever o que passou de mais significativo pelas telas da cidade no ano anterior. Os filmes exibidos são escolhidos democraticamente por meio de votação de público e crítica. Em 46 anos de realização, o Festival Sesc Melhores Filmes já exibiu centenas de longas-metragens brasileiros e estrangeiros. Em 2010, o festival inovou ao ser o primeiro evento do gênero a disponibilizar sua programação com serviços de audiodescrição e legendagem open caption, recursos de acessibilidade que ampliam o alcance do público.




	Fui convidado pelo Sesc São Paulo para desenvolver a identidade visual desta edição do festival, utilizando o logotipo dos anos anteriores e desenvolvendo diversas peças de divulgação, incluindo a vinheta e o catálogo dos premiados. 

Utilizando a linguagem da projeção, as imagens fora de foco são sobrepostas, enquanto as cores quentes fazem referência ao cinema brasileiro, destacando sua importância política em 2019.



&#60;img width="1597" height="1065" width_o="1597" height_o="1065" data-src="https://freight.cargo.site/t/original/i/1aeabd9d7890f8d7e8c949f4cb4c48167f2fec24c6fc4a47a9224d4c1e2672c0/tr6171.jpg" data-mid="88238588" border="0"  src="https://freight.cargo.site/w/1000/i/1aeabd9d7890f8d7e8c949f4cb4c48167f2fec24c6fc4a47a9224d4c1e2672c0/tr6171.jpg" /&#62;&#60;img width="1657" height="1105" width_o="1657" height_o="1105" data-src="https://freight.cargo.site/t/original/i/9d88f1c8d07ac4d275fdb92788edd27e211f7d3f1aad6f8fcc7d5fc0c526e195/tr6116.jpg" data-mid="88238566" border="0"  src="https://freight.cargo.site/w/1000/i/9d88f1c8d07ac4d275fdb92788edd27e211f7d3f1aad6f8fcc7d5fc0c526e195/tr6116.jpg" /&#62;&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/a3282933c2fc3fee6b3186a0011f7bdc22f79b839a0d3021403d5e50e6adff88/tr6118.jpg" data-mid="88238567" border="0"  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data-src="https://freight.cargo.site/t/original/i/c88998e97bc4f0efab4f0bc09a93def1137052cabdbf14948f2fdce91e32c6be/tr6130.jpg" data-mid="88238570" border="0"  src="https://freight.cargo.site/w/1000/i/c88998e97bc4f0efab4f0bc09a93def1137052cabdbf14948f2fdce91e32c6be/tr6130.jpg" /&#62;&#60;img width="1653" height="1102" width_o="1653" height_o="1102" data-src="https://freight.cargo.site/t/original/i/3237df6e6915521c7a3bd29d47537ad647ca4fa7df424cf78c58b513c64161b5/tr6132.jpg" data-mid="88238571" border="0"  src="https://freight.cargo.site/w/1000/i/3237df6e6915521c7a3bd29d47537ad647ca4fa7df424cf78c58b513c64161b5/tr6132.jpg" /&#62;&#60;img width="1650" height="1100" width_o="1650" height_o="1100" data-src="https://freight.cargo.site/t/original/i/c7031824454df078b52f101eda488c3eb7fd09d7ed7ca710e1891749c267f339/tr6134.jpg" data-mid="88238573" border="0"  src="https://freight.cargo.site/w/1000/i/c7031824454df078b52f101eda488c3eb7fd09d7ed7ca710e1891749c267f339/tr6134.jpg" /&#62;&#60;img width="1658" height="1105" width_o="1658" height_o="1105" data-src="https://freight.cargo.site/t/original/i/f327ea0dc3fdbe4c61b95b625d6cf8607822a11db53710837568817763563319/tr6145.jpg" data-mid="88238582" border="0"  src="https://freight.cargo.site/w/1000/i/f327ea0dc3fdbe4c61b95b625d6cf8607822a11db53710837568817763563319/tr6145.jpg" /&#62;&#60;img width="1655" height="1103" width_o="1655" height_o="1103" data-src="https://freight.cargo.site/t/original/i/c307be173483fdab76e3a5745debf4769ca58e4c57d37696298b4a6e48f5a123/tr6147.jpg" data-mid="88238584" border="0"  src="https://freight.cargo.site/w/1000/i/c307be173483fdab76e3a5745debf4769ca58e4c57d37696298b4a6e48f5a123/tr6147.jpg" /&#62;&#60;img width="1685" height="1123" width_o="1685" height_o="1123" data-src="https://freight.cargo.site/t/original/i/e6686c71206f286ca7f316ce0c28bc1cb5b0a0677d37197e862ffac1e8750e44/tr6136.jpg" data-mid="88238574" border="0"  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&#60;img width="1669" height="1113" width_o="1669" height_o="1113" data-src="https://freight.cargo.site/t/original/i/51a2a0dc561b2493628e682778ae0150c17356adac4aed13eddfab45b1fbdc7d/tr6159.jpg" data-mid="88238587" border="0"  src="https://freight.cargo.site/w/1000/i/51a2a0dc561b2493628e682778ae0150c17356adac4aed13eddfab45b1fbdc7d/tr6159.jpg" /&#62;
&#60;img width="1428" height="2000" width_o="1428" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1e37109453af09e357dc6cdb7e7eb7405b27a87b5e96ae3f70f108e7353b761c/46FSMF_Cartaz_LB_04_RGB.jpg" data-mid="95084428" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/1e37109453af09e357dc6cdb7e7eb7405b27a87b5e96ae3f70f108e7353b761c/46FSMF_Cartaz_LB_04_RGB.jpg" /&#62;
design gráfico e direção de arte Lucas Blatvinheta
Lucas Blatassistente Lukas ArujoSound Design Leandro Canhete
logo Bloco Gráfico</description>
		
	</item>
		
		
	<item>
		<title>The same old bad smell</title>
				
		<link>https://lucasbl.at/The-same-old-bad-smell</link>

		<pubDate>Sat, 04 Jan 2020 17:55:52 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/The-same-old-bad-smell</guid>

		<description>☻ prêmio de ouro na ecuador poster bienal 2020, quito, equador ☻ selecionado para o&#38;nbsp;Mut zur Wut 2019, Heidelberg, Alemanha☻ selecionado para o&#38;nbsp;Stop Hate 2019, Poznań, Polônia☻ selecionado para o&#38;nbsp;Posterists in the World 2019, Cuzco, Peru
&#60;img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/05190be81f8ea75dc5394b1e1acf9a594a5aef8ddd4d2c88a1eeed2151dbaa6f/MZW_LucasBlat2-1.jpg" data-mid="58175095" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/05190be81f8ea75dc5394b1e1acf9a594a5aef8ddd4d2c88a1eeed2151dbaa6f/MZW_LucasBlat2-1.jpg" /&#62;

The same old bad smell, 2019
</description>
		
	</item>
		
		
	<item>
		<title>Amor ao Cinema</title>
				
		<link>https://lucasbl.at/Amor-ao-Cinema</link>

		<pubDate>Mon, 14 Oct 2024 16:02:26 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/Amor-ao-Cinema</guid>

		<description>&#38;nbsp;&#60;img width="1586" height="239" width_o="1586" height_o="239" data-src="https://freight.cargo.site/t/original/i/7a2cfc7bef7e3c68759f7bef772cfa7cdd06ba0c6a0b51469995efb0cb9f1921/AMORAOCINEMA_Portfolio_LB_012.png" data-mid="219730370" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/7a2cfc7bef7e3c68759f7bef772cfa7cdd06ba0c6a0b51469995efb0cb9f1921/AMORAOCINEMA_Portfolio_LB_012.png" /&#62;

	Criada como um evento de celebração à cinefilia e à memória do cinema, A mostra Amor ao Cinema&#38;nbsp;exibe clássicos restaurados, obras recentes, alternativas e consagradas, de diferentes cineastas nacionais e estrangeiros, que homenageiam o cinema em suas narrativas e estéticas.
	Para a identidade visual da mostra, foi criado um logotipo que pode ser desdobrado de diferentes maneiras e interpretações, possibilitando diferentes linguagens para cada edição do evento. 
com cores quentes e vibrantes, Explorando os movimentos da película na mesa de edição e no projetor, a identidade expressa a linguagem pop do amor e o romântico do cinema.






 &#60;img width="2000" height="1401" width_o="2000" height_o="1401" data-src="https://freight.cargo.site/t/original/i/4cf1c2ce8de7012a08e8d18236b458921de38dc6de3d3a54dc85af96d71c3e8a/DSC_8231-copy.jpg" data-mid="219732284" border="0"  src="https://freight.cargo.site/w/1000/i/4cf1c2ce8de7012a08e8d18236b458921de38dc6de3d3a54dc85af96d71c3e8a/DSC_8231-copy.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c11c9b2bfb9762281672859fa04cb09200f87413265235929b006e35801f604f/DSC_8227-copy-2.jpg" data-mid="219732282" border="0"  src="https://freight.cargo.site/w/1000/i/c11c9b2bfb9762281672859fa04cb09200f87413265235929b006e35801f604f/DSC_8227-copy-2.jpg" /&#62;
&#60;img width="2256" height="1240" width_o="2256" height_o="1240" data-src="https://freight.cargo.site/t/original/i/f83b9a270ded05dc8f6d11512a2f0e5b479c056d8020b43d0e497e381c214ce2/AMORAOCINEMA_Portfolio_LB_02.png" data-mid="219732804" border="0"  src="https://freight.cargo.site/w/1000/i/f83b9a270ded05dc8f6d11512a2f0e5b479c056d8020b43d0e497e381c214ce2/AMORAOCINEMA_Portfolio_LB_02.png" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/03d1957208fb9edc7a4b8368163c7436ff79342497caaffe31653c9979a0901f/DSC_8237-copy-2.jpg" data-mid="219732286" border="0"  src="https://freight.cargo.site/w/1000/i/03d1957208fb9edc7a4b8368163c7436ff79342497caaffe31653c9979a0901f/DSC_8237-copy-2.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/563bedaf0b3ac184b2d4060387df730f856adec540abff023622fc1a8c9df4e0/025_Amor_ao_Cinema_Abertura-copy-2.jpg" data-mid="219732280" border="0"  src="https://freight.cargo.site/w/1000/i/563bedaf0b3ac184b2d4060387df730f856adec540abff023622fc1a8c9df4e0/025_Amor_ao_Cinema_Abertura-copy-2.jpg" /&#62;
design gráfico e direção de arte Lucas Blatvinheta Lucas BlatSound Design Leandro Canhete
</description>
		
	</item>
		
		
	<item>
		<title>Memorial Bragança-Sefardita</title>
				
		<link>https://lucasbl.at/Memorial-Braganca-Sefardita</link>

		<pubDate>Sat, 04 Jan 2020 17:58:17 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/Memorial-Braganca-Sefardita</guid>

		<description>&#60;img width="1500" height="273" width_o="1500" height_o="273" data-src="https://freight.cargo.site/t/original/i/b722ba4c179137618899a147a84423db6466f869e2033ff7767f13c19d88275c/MBS_LogoAnimado_LB_02_1.gif" data-mid="57707258" border="0"  src="https://freight.cargo.site/w/1000/i/b722ba4c179137618899a147a84423db6466f869e2033ff7767f13c19d88275c/MBS_LogoAnimado_LB_02_1.gif" /&#62;


Norteado pelo estímulo da recuperação da memória e da identidade Sefardita, o Município de Bragança possui dois espaços fundamentais da sua vida cultural: o Memorial e Centro de Documentação – Bragança Sefardita e o Centro de Interpretação da Cultura Sefardita do Nordeste Transmontano situados na Rua Abílio Beça, em pleno Centro Histórico de Bragança.O Memorial Bragança Sefardita faz uma abordagem mista - material e virtual. O espaço interior e a luz remetem para a memória.

O visitante é acolhido numa sinagoga, mostrando-se didaticamente a dimensão religiosa. O lugar da mulher, os ritos e as festas têm espaço consagrado nos restantes pisos, procurando-se sempre entender a dimensão da vida sefardita e evolução histórica da sua presença, na cidade de Bragança. Paralelamente, neste edifício localiza-se um arquivo de memória(s), e um centro de documentação on line, que serve de apoio à investigação e reflexão em torno da cultura sefardita.

Bragança, Portugal, 2017

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/af4bd2f3df0b5135765d657e4cfb23f03ca1386017a06dbbeb1375280c030420/_MA_3960-copy_o.jpg" data-mid="57707259" border="0"  src="https://freight.cargo.site/w/1000/i/af4bd2f3df0b5135765d657e4cfb23f03ca1386017a06dbbeb1375280c030420/_MA_3960-copy_o.jpg" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/88bdb885f4be3a9a07feafc4fb5a39680eb5608fa884067d42839fd6a2391e15/_MA_3981-copy_o.jpg" data-mid="57707261" border="0"  src="https://freight.cargo.site/w/1000/i/88bdb885f4be3a9a07feafc4fb5a39680eb5608fa884067d42839fd6a2391e15/_MA_3981-copy_o.jpg" /&#62;

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/674a1b2b3970095fe6ef5aa6f43a3edd04ad79206d85d2c638d268e316dc0660/_MA_3990-copy_o.jpg" data-mid="57707263" border="0"  src="https://freight.cargo.site/w/1000/i/674a1b2b3970095fe6ef5aa6f43a3edd04ad79206d85d2c638d268e316dc0660/_MA_3990-copy_o.jpg" /&#62;Mural of the urban morphology of the Historic Center – Jewish Bragança, by Susana Milão and Eurico Salgado

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&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1a072b9d9d4491fc8a933ccf25f7d8f6cd7b7bd886340aeb7a0d147f6d7a1b91/_MA_4027-copy_o.jpg" data-mid="57707262" border="0"  src="https://freight.cargo.site/w/1000/i/1a072b9d9d4491fc8a933ccf25f7d8f6cd7b7bd886340aeb7a0d147f6d7a1b91/_MA_4027-copy_o.jpg" /&#62;

&#60;img width="3843" height="2561" width_o="3843" height_o="2561" data-src="https://freight.cargo.site/t/original/i/7d1d2da450de4a85492593c8c348a1f5711bc796086d6e605f8c45fb9ddb26bd/_MA_4015_2-copy_6.jpg" data-mid="57707264" border="0"  src="https://freight.cargo.site/w/1000/i/7d1d2da450de4a85492593c8c348a1f5711bc796086d6e605f8c45fb9ddb26bd/_MA_4015_2-copy_6.jpg" /&#62;

&#60;img width="5000" height="3845" width_o="5000" height_o="3845" data-src="https://freight.cargo.site/t/original/i/ccc79befb7b5907c1ca7d7c30cefdab8b11b3eb7ee3c44fa6505fd527e0c8c9e/Brochure-0329-2017-11-07_o.jpg" data-mid="57707266" border="0"  src="https://freight.cargo.site/w/1000/i/ccc79befb7b5907c1ca7d7c30cefdab8b11b3eb7ee3c44fa6505fd527e0c8c9e/Brochure-0329-2017-11-07_o.jpg" /&#62;

Conceito e Arquitetura
Susana Milão e Eurico Salgado

Projeto Gráfico e Expografia
Lucas Blat e Bianca Benedicto

Fotografia
Lucas Menezes</description>
		
	</item>
		
		
	<item>
		<title>Natureza em três versos</title>
				
		<link>https://lucasbl.at/Natureza-em-tres-versos</link>

		<pubDate>Fri, 13 May 2022 17:10:51 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/Natureza-em-tres-versos</guid>

		<description>☻ selecionado no Macau Design Award 2023
	Natureza em três versos — Intervenções poéticas no Sesc Itaquera, em São Paulo: haicais que interagem com o meio ambiente para refletir sobre o nosso ritmo e vivência diante dos espaços e lugares que nós nos encontramos.

 A partir da importância de espaços abertos e distantes do caos da cidade após o período de isolamento, os poemas discretos e leves espalhados pelo espaço estimulam a busca pela poesia fora da tela e do mundo virtual.
	Foi destacada a estrutura de três versos dos haicai tradicional, com poemas da Lígia Blat e do pioneiro de haicais no Brasil, Afrânio Peixoto, que se misturam nas superfícies e apresentam a nossa relação com as grandezas e miudezas da natureza: a conexão do ser e sentir.


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	</item>
		
		
	<item>
		<title>Amor ao Cinema Motion</title>
				
		<link>https://lucasbl.at/Amor-ao-Cinema-Motion</link>

		<pubDate>Mon, 14 Oct 2024 16:58:23 +0000</pubDate>

		<dc:creator>lucasbl.at</dc:creator>

		<guid isPermaLink="true">https://lucasbl.at/Amor-ao-Cinema-Motion</guid>

		<description>



&#38;nbsp;Veja o projeto completo de identidade visual aqui


	Criada como um evento de celebração à cinefilia e à memória do cinema, A mostra Amor ao Cinema exibe clássicos restaurados, obras recentes, alternativas e consagradas, de diferentes cineastas nacionais e estrangeiros, que homenageiam o cinema em suas narrativas e estéticas.
	Para a identidade visual da mostra, foi criado um logotipo que pode ser desdobrado de diferentes maneiras e interpretações, possibilitando diferentes linguagens para cada edição do evento. com cores quentes e vibrantes, Explorando os movimentos da película na mesa de edição e no projetor, a identidade expressa a linguagem pop do amor e o romântico do cinema.

design gráfico e direção de arte Lucas Blatvinheta Lucas BlatSound Design Leandro Canhete</description>
		
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